Tampa Art Galleries Looking for Artists to Display Their Art
Purvis Young: Redux
June 23, 2022 – June 30, 2024
Inspired by the success of the exhibition Purvis Immature: 91 in 2019, the Tampa Museum of Fine art will remount its Purvis Young collection as ane of the first of several long-term displays of the permanent collection. In 2004, the Rubell Family unit Foundation gifted 91 artworks to the Tampa Museum of Art by Young (American, 1943-2010). Based in the Overtown neighborhood of Miami, Florida, Young'due south paintings reverberate his observations of daily life and the fight for social justice, promise for his community, immigration and otherness, as well every bit the fragile balance between life and death. He rendered his work from institute objects—items he discovered in his neighborhood. Discarded wood, windows, furniture fragments, cabinets, doors, carpet, fabric, string, and cables. Although his ways were limited, Young was recognized throughout Miami, and now across the earth, for his remarkable painting practice and his contributions to the cultural landscape of South Florida.
Dawoud Bey & Carrie Mae Weems: In Dialogue
Organized by the G Rapids Art Museum
July 21, 2022 – October 23, 2022
Dawoud Bey & Carrie Mae Weems: In Dialogue brings together a focused selection of work from a flow of over 40 years past two of today's most of import and influential photo-based artists. Dawoud Bey and Carrie Mae Weems, both born in 1953, came of age during a period of dramatic change in the American social landscape. Since meeting at the Studio Museum in Harlem in 1977, the two artists take been intellectual colleagues and companions. Over the post-obit 5 decades, Bey and Weems have explored and addressed similar themes: race, class, representation, and systems of power, creating work that is grounded in specific African American events and realities while simultaneously speaking to universal homo weather. This exhibition, for the first time, brings their work together to shed light on their unique trajectories and modes of presentation, and their shared consciousness and principles.
Dawoud Bey & Carrie Mae Weems: In Dialogue is organized by the G Rapids Art Museum.
Presenting Sponsor: Bank of America
Poetry in Paint: The Artists of Old Tampa Bay
Selections from Alfred Frankel'southwardArtists of Sometime Florida, 1840-1960
August eighteen, 2022 – January 23, 2023
Collector Dr. Alfred Frankel has studied and nerveless the paintings of early Florida artists for the past 40 years. Later coming together Michael Turbeville in the 1980s, an antiques dealer based in Tampa, he started to collect relatively unknown artists capturing Florida's untamed mural. To date, Dr. Frankel every bit caused nearly 500 works of fine art. His holdings not only draw Florida's raw beauty but the collection reveals how local artists from Miami to Tampa, and Orlando and Gainesville, were influential in developing fine art communities across the state in the early 20th century.Poetry in Paint: The Artists of Erstwhile Tampa Bay explores artists essential to the founding of the Tampa Bay area's creative circles and features painters such as Harry Bierce, Theodore Coe, and Belle Weeden McNeer. Dr. Frankel has extensively researched the artists in his vast collection, which has resulted in the self-publication of the booksArtists of Old Florida, 1840-1960 andThe Lexicon of Florida Artists.
Platinum Orange Life, 2019. Mixed media on board with artist'due south plexi box
60 10 48 inches, Courtesy of the artist and David Castillo Gallery
Pepe Mar: Myth and Magic
September 4, 2022 – January 29, 2023
The Tampa Museum of Art will present the exhibition Pepe Mar, a fifteen-year survey of the artist's work. It will include fifty objects from Pepe Mar'due south (born 1977, Reynosa, United mexican states) diverse practice in collage, sculpture, ceramics, and painting. Mar has developed a highly unique personal style in which he equally mixes and innovates craft, Op art, painting, and identity politics. The artist oftentimes explores themes related to cultural isolation and identity, rituals and mythologies, and consumer consumption and excess. Recent projects illuminate queer history and icons—the places, events, and people often overlooked or marginalized in historical narratives. His piece of work has been exhibited throughout the United states and away and is included in private and public collections. Mar received his BFA from California College of Fine art, San Francisco and his MFA from Florida International University. Mar lives and works in Miami.
Wooden gunkhole, cloth bundles, glass bottles, and plastic containers
Jorge M. Pérez Collection
Time for Alter: Art and Social Unrest in the Jorge Perez Drove
November 17, 2022 – March 12, 2023
Time for Change: Fine art and Social Unrest in the Jorge Chiliad. Pérez Collection uses gimmicky art to explore conflicts and contradictions of contemporary society, as well every bit analyze historical events and reframe them within the present. An interest in the marginalized, the marginal and the margins (of order, of history) is what brings together the works in the exhibition.Time for Modify was first presented as the inaugural exhibition in December 2020 at El Espacio 23, a contemporary fine art space founded past collector and philanthropist Jorge Chiliad. Pérez. Featuring artists from across the earth, the exhibition highlights works that address unrest through allegory, metaphor or veiled innuendo.
A Fourth dimension for Change: Fine art and Social Unrest in the Jorge K. Pérez Collection is organized past El Espacio 23.
attended past four figures on grave; upper register: Dionysus and Ariadne with winged Eros figures
Awe-inspiring funerary vessel (ruby-figure volute krater with added white and yellowish; attributed to the Arpi Painter); Apulia, South Italy; early Hellenistic period, ca. 325-300 BCE. Gift of Mr. and Mrs. Charles Westward. Sahlman, 1987.036
Life & Death in Antiquity
Introduction to the Aboriginal Collection
Opening Autumn 2022
The Tampa Museum of Fine art purchased its first ancient artwork in 1981, a blackness-effigy column krater, perhaps depicting the wedding ceremony procession of Peleus and Thetis. Five years subsequently the Museum's antiquities collection quadrupled in size with the single acquisition of the prominent collection of Joseph Veach Noble. The permanent collection currently holds nigh 575 ancient artefacts, in addition to over 100 long-term loans from private collections. More three-quarters of the Museum'due south antiquities are representative of ancient Greece and Italy, especially Athens and Rome. The ancient world encompassed a much wider diversity of traditions, even so, of which some tin can be encountered in this introduction to the Museum's Antiquities Collection. The gallery display will highlight aspects of daily life and decease, every bit well every bit human and animal figures, beauty ideals and eroticism, athletics and theater, wine consumption and vase production, religion and mythology, trade and politics
In his Ninth Labor, Heracles was ordered to call back the girdle of the Amazonian princess Hippolyta
Ceramic wine vessel (black-figure neck amphora with added white; attributed to the Leagros Group); Attica, Greece; late Archaic period, ca. 520-500 BCE. Museum Buy, 1982.011
Identity in Antiquity
Ethnicity, Gender & Sexuality
Opening Belatedly 2022
This two-twelvemonth presentation centers effectually the theme of identity in the ancient world, especially aspects of ethnicity, gender and sexuality. Across the ancient Mediterranean, people will have felt some sense of group identity every bit belonging to a tribe, race, culture or civilization. They will have recognized differences between men and women, and volition have experienced sexual desires and moral constraints. Feelings of identity could also be expressed in opposition to other groups, such every bit Greeks vs. Persians or Scythians, Romans vs. Gauls or Germans, men vs. women. In our modern order many more than expressions of identity are recognized that may invoke a sense of belonging or form exclusive alliances. In Artifact expressions of identity could not always be articulated explicitly because the terminology for voicing thoughts well-nigh personal, sexual, cultural and national frames of identity did not be. Identity in Antiquity: Ethnicity, Gender & Sexuality volition illustrate these aspects based predominantly on the Museum'south own Antiquities Drove, supplemented with some prominent long-term loans from individual and museum collections.
Source: https://tampamuseum.org/upcoming-exhibitions/
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