2004 album by the Killers
2004 studio album by the Killers
Hot Fuss |
|
Released | June seven, 2004 (2004-06-07) |
Recorded | 2003 |
Studio | - The Hearse (Berkeley, California)[a]
- Cornerstone (Los Angeles, California)[a]
- Dave Keuning's apartment (Las Vegas, Nevada)[b]
|
Genre | - Alternative stone[1]
- postal service-punk revival[2]
- new wave[1] [3]
- synth-pop[4]
|
Length | 45:39 |
Label | Isle |
Producer | - Jeff Saltzman
- the Killers
|
| Hot Fuss (2004) | Sam's Boondocks (2006) | |
|
- "Mr. Brightside"
Released: September 29, 2003 - "Somebody Told Me"
Released: March 15, 2004 - "All These Things That I've Done"
Released: August xxx, 2004 - "Smile Similar You Mean It"
Released: May 2, 2005 |
|
Hot Fuss is the debut studio album past American rock band the Killers, released on June vii, 2004, in the United kingdom of great britain and northern ireland and on June 15, 2004, in the United states of america by Island Records. The anthology is by and large influenced by new wave music and postal service-punk. Hot Fuss spawned four commercially and critically successful singles: "Mr. Brightside", "Somebody Told Me", "All These Things That I've Done" and "Smiling Like You lot Hateful Information technology".
The album reached number seven on the Billboard 200 and number ane on the UK Albums Chart. As of December 2012[update], Hot Fuss had sold more than seven 1000000 copies worldwide, including more than three 1000000 in the United States and more than two million in the U.k.. Information technology has too been certified platinum or multi-platinum in Commonwealth of australia, Canada, Ireland, and New Zealand. The album and its first three singles went on to garner five Grammy Award nominations.
Background [edit]
The album was recorded at various points throughout 2003 with Jeff Saltzman in Berkeley, California, with the exception of "Everything Will Be Alright", which was recorded past Corlene Byrd in guitarist Dave Keuning's apartment. Many of the tracks were originally recorded every bit demos, which the ring decided to keep for their spontaneity. The album was mixed past Mark Needham at Cornerstone Studios in Los Angeles and Alan Moulder at Eden Studios in London. In 2012, Brandon Flowers told NME that he felt "depressed" afterwards hearing the Strokes' album Is This It. "That record but sounded so perfect", he said. "We threw away everything [we were working on] and the just song that made the cutting and remained was 'Mr. Brightside.'"[5]
The songs "Midnight Show" and "Jenny Was a Friend of Mine" are ii parts of the and then-called "Murder Trilogy", detailing the fictional story of a adult female who is murdered past her jealous boyfriend. The first part, "Leave the Bourbon on the Shelf", appears on the band'southward B-sides and rarities compilation, Sawdust.[six]
Product [edit]
The album heavily features a vocal result called Repeat Subcontract on Flowers' voice. In 2014, Needham recounted, "There were three of us involved in the product visitor on that record: Braden Merrick, Jeff Saltzman and myself. Jeff and I had been partners for a few years. He was an entertainment attorney and was shopping stuff, only he actually really wanted to be a producer as well. We set Jeff upwardly with a studio, got him started in recording and since he'southward a smart guy, he picked information technology upwardly actually quick. At that time, Repeat Farm had just come up out, and that was actually the only vocal upshot he had. If you open up Repeat Farm, the kickoff setting that comes up is the default setting, which overdrives the song a bit and sets an 84 ms delay. That was basically what he put on everything and it sort of became the default vocal tone on the whole record, plus it worked really great, so we kept it. Information technology changes a little bit on sure things, but information technology was a fairly consistent consequence through the whole record."[seven]
Artwork [edit]
The album encompass was photographed past Matthias Clamer in 2000, in the southern region of the suburbs of Beijing, Red china.[8] The characters on peak of each building ("建", "材", "开", and "发") translate to "construction material development".[9]
Release and reception [edit]
Professional ratings Amass scores |
Source | Rating |
Metacritic | 66/100[x] |
Review scores |
Source | Rating |
AllMusic | [iv] |
Alternative Press | iv/v[11] |
Blender | [12] |
Entertainment Weekly | C[13] |
The Independent | [14] |
NME | seven/10[15] |
Pitchfork | 5.2/10[16] |
Q | [17] |
Rolling Stone | [18] |
Spin | [19] |
Hot Fuss received more often than not positive reviews from critics. On Metacritic, the album has a weighted average score of 66 out of 100 based on 20 reviews, indicating "generally favorable reviews".[ten]
Hot Fuss was released on June seven, 2004, in the United kingdom of great britain and northern ireland and on June 15, 2004, in the United States.[ii] In 2005, information technology was reissued as a box of eleven seven-inch vinyl discs, with an album runway on each A-side and not-anthology tracks on the B-sides.[20] The album reached number seven on the US Billboard 200. Information technology was certified triple platinum by the Recording Industry Association of America (RIAA) on December 1, 2005,[21] and as of January 2017, it had sold three.75 million copies in the United states.[22]
Hot Fuss topped the United kingdom of great britain and northern ireland Albums Chart for two consecutive weeks in January 2005.[23] It was the 26th all-time-selling album of the 2000s decade in the United Kingdom,[24] and is listed amongst the top 40 longest-charting albums in the history of the Uk Albums Chart, with 254 weeks.[23] On July 22, 2013, the British Phonographic Industry (BPI) certified the album seven-times platinum;[25] past August 2020, it had sold two,335,495 copies in the UK.[26] The anthology has also been certified platinum or multi-platinum in Commonwealth of australia, Canada, Republic of ireland, and New Zealand. Hot Fuss had sold over than seven million copies worldwide as of December 2012.[27]
Rolling Stone ranked Hot Fuss 43rd on its list of the "100 Best Albums of the Decade", and it was, at one point, listed amid the 1001 Albums Yous Must Hear Earlier You lot Dice. Gigwise readers voted information technology the number-one "Best Debut Album of All Fourth dimension" in 2013.[28] Rolling Stone ranked Hot Fuss the 33rd of its list of "The 100 Greatest Debut Albums of All Time".[29]
Accolades [edit]
Yr | Ceremony | Accolade | Result |
2004 | Shortlist Music Prize | Shortlist Music Prize | Nominated |
2005 | BRIT Awards | Best International Album | Nominated |
Grammy Awards | Best Stone Album | Nominated |
PBS Kids Sprout Awards | Best Rock Album | Nominated |
Shooting star Ireland Music Awards | Best International Anthology | Nominated |
Publication | Country | Accolade | Year | Rank |
Drowned in Sound | UK | Best Albums of the Year | 2004 | 2 |
Gigwise[28] | US | Best Debut Album Ever: Readers' Poll | 2013 | 1 |
NME [30] | US | 500 Greatest Albums of All Time | 2013 | 495 |
Q [31] | UK | 250 Best Albums of Q 's Lifetime 1986–2010 | 2011 | 17 |
Rolling Stone [32] | US | Top 100 Albums of the 2000s | 2009 | 43 |
Rolling Rock [29] | US | 100 Greatest Debut Albums of All Time | 2013 | 33 |
Rolling Rock [33] | US | x Greatest Debut Albums of All Time: Readers' Poll | 2013 | 9 |
The A.V. Club [34] | US | Tiptop 100 Albums of the 2000s | 2009 | 41 |
Hot Fuss is listed amid the 1001 Albums Y'all Must Hear Before Yous Dice.
Track list [edit]
All tracks are produced by Jeff Saltzman and the Killers, except "Everything Will Be Alright", produced past Brandon Flowers.
one. | "Jenny Was a Friend of Mine" | | iv:04 |
2. | "Mr. Brightside" | | 3:43 |
3. | "Smile Like Yous Mean It" | | 3:54 |
4. | "Somebody Told Me" | - Flowers
- Keuning
- Stoermer
- Ronnie Vannucci Jr.
| 3:17 |
v. | "All These Things That I've Done" | Flowers | 5:01 |
6. | "Andy, Yous're a Star" | Flowers | iii:fourteen |
7. | "On Top" | - Flowers
- Keuning
- Stoermer
- Vannucci
| 4:18 |
8. | "Modify Your Mind" | | 3:xi |
9. | "Believe Me Natalie" | | five:05 |
10. | "Midnight Evidence" | | iv:02 |
eleven. | "Everything Will Exist Alright" | Flowers | 5:45 |
viii. | "Glamorous Indie Stone & Ringlet" | - Flowers
- Keuning
- Stoermer
- Vannucci
| iv:fourteen |
12. | "Glamorous Indie Stone & Roll" | - Flowers
- Keuning
- Stoermer
- Vannucci
| four:fourteen |
12. | "Glamorous Indie Stone & Roll" | - Flowers
- Keuning
- Stoermer
- Vannucci
| 4:fourteen |
xiii. | "Somebody Told Me" (music video) | | |
12. | "Glamorous Indie Rock & Curl" | - Flowers
- Keuning
- Stoermer
- Vannucci
| iv:14 |
13. | "The Ballad of Michael Valentine" | | three:49 |
14. | "Nether the Gun" | | two:33 |
12. | "Somebody Told Me" (Mylo Mix) | 7:17 |
xiii. | "Smiling Like You Mean It" (Fischerspooner Mix) | 6:24 |
14. | "Smiling Like You lot Mean It" (Ruff and Jam Eastside Mix) | 7:35 |
one. | "Somebody Told Me" (Josh Harris Remix) | |
2. | "Under the Gun" | |
3. | "Testify You How" | |
4. | "The Carol of Michael Valentine" | |
5. | "Why Don't You Find Out for Yourself?" | |
half-dozen. | "Cherry, Don't Have Your Beloved to Town" | |
7. | "Mr. Brightside" (Thin White Duke Remix Edit) | |
8. | "Glamorous Indie Stone and Roll" | |
9. | "Grin Like Y'all Mean It" (acoustic version) | |
10. | "Who Permit You Go?" | |
11. | "Go Trashed" | |
i. | "Somebody Told Me" (music video) | |
two. | "Mr. Brightside" (original music video) | |
3. | "Mr. Brightside" (new music video) | |
4. | "All These Things That I've Done" (music video) | |
one. | "Smile Similar You Mean It" (music video) | |
2. | "All These Things That I've Done" (music video) | |
3. | "Somebody Told Me" (Glastonbury 2005) | |
4. | "Jenny Was a Friend of Mine" (Glastonbury 2005) | |
five. | "Mr. Brightside" (Glastonbury 2005) | |
Personnel [edit]
Credits adjusted from the liner notes of Hot Fuss.[35]
The Killers [edit]
- Brandon Flowers – vocals, synthesizer
- Dave Keuning – guitar
- Mark Stoermer – bass
- Ronnie Vannucci Jr. – drums
Additional musicians [edit]
- Sweetness Inspirations – gospel choir (tracks five, 6)
Technical [edit]
- Jeff Saltzman – product, recording (tracks ane–x)
- The Killers – production (tracks 1–10)
- Brandon Flowers – production (track 11)
- Corlene Byrd – recording (rails 11)
- Dave Stedronsky – engineering assistance
- Marker Needham – engineering science aid (all tracks); mixing[c] (tracks 2, iii, viii, eleven)
- Will Brierre – technology help
- Dario Dendi – engineering science assist
- Alan Moulder – mixing[d] (tracks 1, 4–7, 9, 10)
- Brian "Big Bass" Gardner – mastering[eastward]
Artwork [edit]
- Louis Marino – art direction
- Seth Goldfarb – embrace photo
- Matt Hartman – band photography
Charts [edit]
Weekly charts [edit] | Twelvemonth-terminate charts [edit] Decade-stop charts [edit] Century-terminate charts (running) [edit] |
Certifications [edit]
Release history [edit]
Notes [edit]
- ^ a b Except "Everything Will Exist Alright"
- ^ "Everything Will Be Alright"
- ^ Mixed at Cornerstone Recording Studios (Los Angeles, California)
- ^ Mixed at Eden Studios (London) and The Town House (London)
- ^ Mastered at Bernie Grundman Mastering (Hollywood, California)
References [edit]
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